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Claudia Luz Doare
“Plun pi aya”
12” x 12”
Acrylic on Canvas Board
“Plun pi aya” (“Dinner’s served” in Miskito) offers a quiet yet profound glimpse into a traditional communal hunting ceremony. The work captures a moment of connection between people and the land that sustains them. The hunt is not merely an act of survival; it is a ceremonial practice, embedded in a network of relationships between human, animal, and environment.
As part of Songs of Sovereignty, Plun pi aya affirms that sovereignty is lived daily - in shared meals, in traditions upheld, in the quiet acts of preservation that hold identity intact. It speaks to the truth that resistance is not only protest but the deliberate continuation of ways of being that colonial forces sought to erase.
Claudia Luz Doare
“Plun pi aya”
12” x 12”
Acrylic on Canvas Board
“Plun pi aya” (“Dinner’s served” in Miskito) offers a quiet yet profound glimpse into a traditional communal hunting ceremony. The work captures a moment of connection between people and the land that sustains them. The hunt is not merely an act of survival; it is a ceremonial practice, embedded in a network of relationships between human, animal, and environment.
As part of Songs of Sovereignty, Plun pi aya affirms that sovereignty is lived daily - in shared meals, in traditions upheld, in the quiet acts of preservation that hold identity intact. It speaks to the truth that resistance is not only protest but the deliberate continuation of ways of being that colonial forces sought to erase.